I work with my hands first.
Touch, rhythm, light, breath, timing.
If it can be shaped, played, held, directed, or felt—and it can sustain me—I follow it. Full-body massage. Piano. The quiet choreography of photography. I’ve written two musicals, guided rooms of 150+ people into shared moments, and lived inside stories as an actor, director, producer, editor, playwright, and poet. Now I translate instinct into motion again—through AI-driven video, starting in five seconds, expanding toward longer forms.
My work lives in the space between control and surrender. Precision and impulse. Discipline and hunger. I’m interested in presence—how a moment lands, how it lingers, how it changes you after it’s gone.
I stay busy because stillness gets loud.
And boredom is unbearable.
So I create—until something moves.