I work with my hands first.
Touch, rhythm, light, breath, timing.<\/p>\n\n\n\n
If it can be shaped, played, held, directed, or felt\u2014and it can sustain me\u2014I follow it. Full-body massage. Piano. The quiet choreography of photography. I\u2019ve written two musicals<\/strong>, guided rooms of 150+ people<\/strong> into shared moments, and lived inside stories as an actor, director, producer, editor, playwright, and poet<\/strong>. Now I translate instinct into motion again\u2014through AI-driven video<\/strong>, starting in five seconds, expanding toward longer forms.<\/p>\n\n\n\n My work lives in the space between control and surrender. Precision and impulse. Discipline and hunger. I\u2019m interested in presence\u2014how a moment lands, how it lingers, how it changes you after it\u2019s gone.<\/p>\n\n\n\n I stay busy because stillness gets loud. I work with my hands first.Touch, rhythm, light, breath, timing. If it can be shaped, played, held, directed, or felt\u2014and it can sustain me\u2014I follow it. Full-body massage. Piano. The quiet choreography of photography. I\u2019ve written two musicals, guided rooms of 150+ people into shared moments, and lived inside stories as an actor, director, producer, … <\/p>\n
And boredom is unbearable.
So I create\u2014until something moves.<\/p>\n","protected":false},"excerpt":{"rendered":"